When Samuel Gravely Jr. was born in segregated Richmond 88 years ago, he never could have imagined a career as a U.S. naval officer - not to mention becoming the first black officer to command a warship and, eventually, the service's first black admiral.
Gravely died in 2004, but this month marks yet another first: The first warship named for a black admiral was commissioned over the weekend. On Wednesday, the brand-new destroyer pulled into Norfolk, its new homeport.
The guided-missile destroyer, built for about $1 billion, is the 57th in the Arleigh Burke class. Its crew of 276 is led by Cmdr. Douglas Kunzman.
As the ship made the turn toward Pier 6 at Norfolk Naval Station on Wednesday afternoon, Gravely's widow, Alma, said her husband undoubtedly would have been proud to have a ship named after him. But he probably wouldn't show it, because he was remarkably humble.
"It's really an honor to sit here and watch it come in," she said.
Gravely enlisted in the naval reserves and was soon selected for officer candidacy. He was the first black officer commissioned through a reserve officer training course. After a stint aboard a submarine chaser with an all-black crew - a way for the Navy to prove to the nation that black sailors were as competent as their white counterparts - Gravely left active service and finished his history degree at Virginia Union University.
It was a short break from what became his career. In 1949, he was recalled to active duty. He quickly rose to command four ships: the Theodore Chandler, Falgout, Taussig and Jouett. His final sea assignment was commander of the Navy's 3rd Fleet.
Alma Gravely recalled some of the early discrimination her husband faced. Once, while in Florida with the crew of a submarine chaser, he decided to accompany some enlisted crew members to an enlisted club, knowing the officers club was off- limits to black officers.
Someone at the enlisted club tried to have him arrested for impersonating an officer - a charge quickly dropped once the boat's commanding officer confirmed he was, in fact, a naval officer.
Gravely said having a ship named for her husband is the highlight of his naval career, although she also was pleased that Prince William County named a school for him.
The Gravely is the second new destroyer to make its home in Norfolk in as many days. Sitting across the pier was the Jason Dunham, named for a warrior from a more recent era. Dunham threw himself on a grenade in Iraq in 2004, an action that resulted in him becoming the first Marine to receive the Medal of Honor since Vietnam.
The Gravely arrived, aft first, as docile as a lamb, nudged into place by a tug boat. Make no mistake, though: It has the capabilities of a lion, which graces the ship's official crest. The Gravely is armed with an array of firepower: dozens of Tomahawk cruise missiles, as well as surface-to-air missiles, torpedoes and a close-in weapon system.
Kunzman, the commanding officer, touted the ship's modern, multi mission capability. But he was also mindful of the past, and the legacy Gravely left. The ship's motto, "First to Conquer," pays homage to Gravely being the "first to do so many things," he said.
And it's just flat out fun to be skipper of a brand-new ship.
"It still smells new," he said. "Like it's just out of bubble wrap. It's a brand-new Cadillac to myself and my sailors."
Kate Wiltrout, (757) 446-2629, kate.wiltrout@pilotonline.com
Source: http://hamptonroads.com/2010/11/new-destroyer-honors-black-naval-pioneer
What is the African American empowerment blog? The AAEB is a blog focusing on news, music, poetry, art, quotes, facts, books, movies and people that uplift, empower, and motivate African Americans.
Monday, November 29, 2010
Thursday, November 25, 2010
Dr. Rebecca Lee Crumpler
Rebecca Lee Crumpler challenged the prejudice that prevented African Americans from pursuing careers in medicine to became the first African American woman in the United States to earn an M.D. degree, a distinction formerly credited to Rebecca Cole. Although little has survived to tell the story of Crumpler's life, she has secured her place in the historical record with her book of medical advice for women and children, published in 1883.
Crumpler was born in 1831 in Delaware, to Absolum Davis and Matilda Webber. An aunt in Pennsylvania, who spent much of her time caring for sick neighbors and may have influenced her career choice, raised her. By 1852 she had moved to Charlestown, Massachusetts, where she worked as a nurse for the next eight years (because the first formal school for nursing only opened in 1873, she was able to perform such work without any formal training). In 1860, she was admitted to the New England Female Medical College. When she graduated in 1864, Crumpler was the first African American woman in the United States to earn an M.D. degree, and the only African American woman to graduate from the New England Female Medical College, which closed in 1873.
In her Book of Medical Discourses, published in 1883, she gives a brief summary of her career path: "It may be well to state here that, having been reared by a kind aunt in Pennsylvania, whose usefulness with the sick was continually sought, I early conceived a liking for, and sought every opportunity to relieve the sufferings of others. Later in life I devoted my time, when best I could, to nursing as a business, serving under different doctors for a period of eight years (from 1852 to 1860); most of the time at my adopted home in Charlestown, Middlesex County, Massachusetts. From these doctors I received letters commending me to the faculty of the New England Female Medical College, whence, four years afterward, I received the degree of doctress of medicine."
Dr. Crumpler practiced in Boston for a short while before moving to Richmond, Virginia, after the Civil War ended in 1865. Richmond, she felt, would be "a proper field for real missionary work, and one that would present ample opportunities to become acquainted with the diseases of women and children. During my stay there nearly every hour was improved in that sphere of labor. The last quarter of the year 1866, I was enabled . . . to have access each day to a very large number of the indigent, and others of different classes, in a population of over 30,000 colored." She joined other black physicians caring for freed slaves who would otherwise have had no access to medical care, working with the Freedmen's Bureau, and missionary and community groups, even though black physicians experienced intense racism working in the postwar South.
"At the close of my services in that city," she explained, "I returned to my former home, Boston, where I entered into the work with renewed vigor, practicing outside, and receiving children in the house for treatment; regardless, in a measure, of remuneration." She lived on Joy Street on Beacon Hill, then a mostly black neighborhood. By 1880 she had moved to Hyde Park, Massachusetts, and was no longer in active practice. Her 1883 book is based on journal notes she kept during her years of medical practice.
No photos or other images survive of Dr. Crumpler. The little we know about her comes from the introduction to her book, a remarkable mark of her achievements as a physician and medical writer in a time when very few African Americans were able to gain admittance to medical college, let alone publish. Her book is one of the very first medical publications by an African American.
Source: http://www.nlm.nih.gov/changingthefaceofmedicine/physicians/biography_73.html
Crumpler was born in 1831 in Delaware, to Absolum Davis and Matilda Webber. An aunt in Pennsylvania, who spent much of her time caring for sick neighbors and may have influenced her career choice, raised her. By 1852 she had moved to Charlestown, Massachusetts, where she worked as a nurse for the next eight years (because the first formal school for nursing only opened in 1873, she was able to perform such work without any formal training). In 1860, she was admitted to the New England Female Medical College. When she graduated in 1864, Crumpler was the first African American woman in the United States to earn an M.D. degree, and the only African American woman to graduate from the New England Female Medical College, which closed in 1873.
In her Book of Medical Discourses, published in 1883, she gives a brief summary of her career path: "It may be well to state here that, having been reared by a kind aunt in Pennsylvania, whose usefulness with the sick was continually sought, I early conceived a liking for, and sought every opportunity to relieve the sufferings of others. Later in life I devoted my time, when best I could, to nursing as a business, serving under different doctors for a period of eight years (from 1852 to 1860); most of the time at my adopted home in Charlestown, Middlesex County, Massachusetts. From these doctors I received letters commending me to the faculty of the New England Female Medical College, whence, four years afterward, I received the degree of doctress of medicine."
Dr. Crumpler practiced in Boston for a short while before moving to Richmond, Virginia, after the Civil War ended in 1865. Richmond, she felt, would be "a proper field for real missionary work, and one that would present ample opportunities to become acquainted with the diseases of women and children. During my stay there nearly every hour was improved in that sphere of labor. The last quarter of the year 1866, I was enabled . . . to have access each day to a very large number of the indigent, and others of different classes, in a population of over 30,000 colored." She joined other black physicians caring for freed slaves who would otherwise have had no access to medical care, working with the Freedmen's Bureau, and missionary and community groups, even though black physicians experienced intense racism working in the postwar South.
"At the close of my services in that city," she explained, "I returned to my former home, Boston, where I entered into the work with renewed vigor, practicing outside, and receiving children in the house for treatment; regardless, in a measure, of remuneration." She lived on Joy Street on Beacon Hill, then a mostly black neighborhood. By 1880 she had moved to Hyde Park, Massachusetts, and was no longer in active practice. Her 1883 book is based on journal notes she kept during her years of medical practice.
No photos or other images survive of Dr. Crumpler. The little we know about her comes from the introduction to her book, a remarkable mark of her achievements as a physician and medical writer in a time when very few African Americans were able to gain admittance to medical college, let alone publish. Her book is one of the very first medical publications by an African American.
Source: http://www.nlm.nih.gov/changingthefaceofmedicine/physicians/biography_73.html
Wednesday, November 24, 2010
Tee Collins
EDITOR'S NOTE: Thank you to Dr. Barbara Collins-Brooks, daughter of Tee Collins and one of our dedicated listeners, for this "Little Known Black History Fact."
Harlem native Tee Collins was the first African-American animator to establish his own studio in New York. He was best known for his creation of the character Wanda the Witch on "Sesame Street." It was the story of a witch with a pet weasel who washed her wirey wig on Wednesday. His new animation would play on the first episode of "Sesame Street" in 1969 and would carry over into the book, “All About Sesame Street.” The favored skit would be followed by words from comedian Carol Burnett.
Collins would receive two international broadcasting awards for his work. Other skits he introduced included Nancy the Nannygoat and X is for Xylophone, though he once jokingly said, "It was hard to come up with a happy word for X."
Collins' skills with animation took him to "Sesame Street," but he originally got his start animating the Piel's Beer commercials, starring Bert and Harry Piel, in the early 1960s. He would also produce animated films in Puerto Rico, Nigeria and the Dominican Republic.
By the 1990s, Collins was still making history with his skill. His animation of "The Songhai Princess," written by Dr. Edward Robinson, introduced the first animated black princess ever on video. It was a story about Princess Nzinga, the daughter of a 15th-century Songhai Emperor, who is kidnapped from her palace by the Wicked Witch of the Mountains and rescued by her hero.
"The Songhai Princess" sold 20,000 copies and won four national awards in animation. The movie was most recently featured at the Dusable Museum of African-American History in Chicago.
Collins taught as a freelance professor for 11 years at the University of Central Florida before his death.
By: Erica Taylor, The Tom Joyner Morning Show
Source: http://www.blackamericaweb.com/?q=articles/news/the_black_diaspora_news/22729&page=7
Harlem native Tee Collins was the first African-American animator to establish his own studio in New York. He was best known for his creation of the character Wanda the Witch on "Sesame Street." It was the story of a witch with a pet weasel who washed her wirey wig on Wednesday. His new animation would play on the first episode of "Sesame Street" in 1969 and would carry over into the book, “All About Sesame Street.” The favored skit would be followed by words from comedian Carol Burnett.
Collins would receive two international broadcasting awards for his work. Other skits he introduced included Nancy the Nannygoat and X is for Xylophone, though he once jokingly said, "It was hard to come up with a happy word for X."
Collins' skills with animation took him to "Sesame Street," but he originally got his start animating the Piel's Beer commercials, starring Bert and Harry Piel, in the early 1960s. He would also produce animated films in Puerto Rico, Nigeria and the Dominican Republic.
By the 1990s, Collins was still making history with his skill. His animation of "The Songhai Princess," written by Dr. Edward Robinson, introduced the first animated black princess ever on video. It was a story about Princess Nzinga, the daughter of a 15th-century Songhai Emperor, who is kidnapped from her palace by the Wicked Witch of the Mountains and rescued by her hero.
"The Songhai Princess" sold 20,000 copies and won four national awards in animation. The movie was most recently featured at the Dusable Museum of African-American History in Chicago.
Collins taught as a freelance professor for 11 years at the University of Central Florida before his death.
By: Erica Taylor, The Tom Joyner Morning Show
Source: http://www.blackamericaweb.com/?q=articles/news/the_black_diaspora_news/22729&page=7
Tuesday, November 23, 2010
HBCUs Online
What is HBCUsOnline?
HBCUsOnline is a unique education services company, inspired and founded by Tom Joyner. HBCUsOnline proudly partners with select Historically Black Colleges and Universities (HBCUs) to provide access to accredited online degree programs, educational resources, student support and empowerment tools to help you be successful.
How is HBCUsOnline Different?
Now more than ever, where you get your degree matters. Many of today’s online education providers fail to adequately invest in academic rigor, relevance and student success, which leaves far too many with little or nothing to show for their experience except debt and frustration. HBCUsOnline provides a better alternative and a better value! We embrace and provide each student with the “community of support” that has long been the spirit and cornerstone of Historically Black Colleges and Universities. We have deliberately combined the best of what HBCUs have to offer – tradition, support, a strong alumni network and a rich heritage – with the convenience, flexibility and value of technology, all of which gives you the opportunity to make a better choice for your online education.
What is a Community of Support?
The culture of HBCUs is rooted in providing the support each student needs to succeed. HBCUsOnline is unique because it builds upon this legacy and customizes support to enhance your success in an online learning environment. Student Support PlusSM and “The Yard” are unique features of HBCUsOnline that are designed for you. Student Support Plus is your personalized program for success and “The Yard” is a virtual community that brings campus life straight to your computer. Find out more about these dynamic offerings on HBCUsOnline by signing up today to access more information!
How Does HBCUsOnline work?
The HBCUsOnline process is easy and personable. It all starts when you register free of charge to have access to this full website. Once you register with us, you’ll be able to search degree programs and schools as well as view other exciting content. In addition, an enrollment specialist will be there to help you to address any questions or help you complete the application and enrollment process. Once you are successfully enrolled in classes, you will be assigned a Student Support Plus advocate who will work with you to develop your customized student success plan. Your Student Support Plus advocate will also offer continuous, ongoing support throughout your online program – right up to the day you earn you degree. “Our mission is your success.”
Sign up today.
HBCUsOnline is a unique education services company, inspired and founded by Tom Joyner. HBCUsOnline proudly partners with select Historically Black Colleges and Universities (HBCUs) to provide access to accredited online degree programs, educational resources, student support and empowerment tools to help you be successful.
How is HBCUsOnline Different?
Now more than ever, where you get your degree matters. Many of today’s online education providers fail to adequately invest in academic rigor, relevance and student success, which leaves far too many with little or nothing to show for their experience except debt and frustration. HBCUsOnline provides a better alternative and a better value! We embrace and provide each student with the “community of support” that has long been the spirit and cornerstone of Historically Black Colleges and Universities. We have deliberately combined the best of what HBCUs have to offer – tradition, support, a strong alumni network and a rich heritage – with the convenience, flexibility and value of technology, all of which gives you the opportunity to make a better choice for your online education.
What is a Community of Support?
The culture of HBCUs is rooted in providing the support each student needs to succeed. HBCUsOnline is unique because it builds upon this legacy and customizes support to enhance your success in an online learning environment. Student Support PlusSM and “The Yard” are unique features of HBCUsOnline that are designed for you. Student Support Plus is your personalized program for success and “The Yard” is a virtual community that brings campus life straight to your computer. Find out more about these dynamic offerings on HBCUsOnline by signing up today to access more information!
How Does HBCUsOnline work?
The HBCUsOnline process is easy and personable. It all starts when you register free of charge to have access to this full website. Once you register with us, you’ll be able to search degree programs and schools as well as view other exciting content. In addition, an enrollment specialist will be there to help you to address any questions or help you complete the application and enrollment process. Once you are successfully enrolled in classes, you will be assigned a Student Support Plus advocate who will work with you to develop your customized student success plan. Your Student Support Plus advocate will also offer continuous, ongoing support throughout your online program – right up to the day you earn you degree. “Our mission is your success.”
Sign up today.
Saturday, November 20, 2010
Children's Book: Loving Me
"Two of the most important books your son or daughter will ever read!"
Click Cover For A Preview!
Wednesday, November 10, 2010
M.K. Asante
M.K. Asante is an award-winning author, filmmaker, and professor who thePhiladelphia Inquirer calls "a rare, remarkable talent that brings to mind the great artists of the Harlem Renaissance."
The author of three celebrated books, Asante is the recipient of the 2009 Langston Hughes Award. His latest book, It's Bigger Than Hip Hop, was hailed by the Los Angeles Times as "An empowering book that moves you to action and to question status quo America."
His other books are Beautiful. And Ugly Tooand Like Water Running Off My Back, winner of the Jean Corrie Prize from the Academy of American Poets.
An acclaimed filmmaker, Asante directed The Black Candle, a film he co-wrote with renowned poet Maya Angelou who also narrates the prize-winning film. He wrote and produced the film 500 Years Later, winner of five international film festival awards as well as the Breaking the Chains award from the United Nations. He also produced the multi award-winning film Motherland.
Asante studied at the University of London, earned a BA from Lafayette College, and an MFA from the UCLA School of Film and Television.
A dynamic speaker, Asante has presented in twenty-five countries as well as throughout the United States at hundreds of colleges, universities, libraries, conferences, and festivals.
He has been featured on numerous TV and radio programs including the CBS Early Show, NBC News, Tom Joyner Morning Show and NPR. Asante’s essays on music, politics, and culture have been published in USA Today, Huffington Post, and the San Francisco Chronicle.
Asante is a tenured professor of creative writing and film in the Department of English and Language Arts at Morgan State University.
Source: http://www.mkasante.com
Tuesday, November 9, 2010
This young man will make you Proud!!!
Booker T. Washington Highschool graduate Deonte Bridges' Valedictorian speech
Friday, November 5, 2010
The Black Candle
The Black Candle is a landmark, vibrant documentary film that uses Kwanzaa as a vehicle to explore and celebrate the African-American experience.
Narrated by world renowned poet Maya Angelou and directed by award-winning author and filmmaker M.K. Asante, The Black Candle is an extraordinary, inspirational story about the struggle and triumph of family, community, and culture.
Filmed across the United States, Africa, Europe and the Caribbean, The Black Candle is a timely illumination on why the seven principles of Kwanzaa (unity, self-determination, collective work and responsibility, cooperative economics, purpose, creativity and faith) are relevant today.
The first feature film on Kwanzaa, The Black Candle traces the holiday’s growth from the first celebration in 1966 to its present-day reality as a global holiday embraced by over 20 million celebrants.
With vivid cinematography and an all star cast that features NFL Legend Jim Brown, Hip Hop icon Chuck D, Kwanzaa's founder Dr. Maulana Karenga, artist Synthia Saint James and many others, The Black Candle is more than a film about a holiday: it’s a celebration of a people!
Wednesday, November 3, 2010
Super Soaker
IN MARCH 2003, the independent inventor Lonnie Johnson faced a roomful of high-level military scientists at the Office of Naval Research in Arlington, Virginia. Johnson had traveled there from his home in Atlanta, seeking research funding for an advanced heat engine he calls the Johnson Thermoelectric Energy Converter, or JTEC (pronounced “jay-tek”). At the time, the JTEC was only a set of mathematical equations and the beginnings of a prototype, but Johnson had made the tantalizing claim that his device would be able to turn solar heat into electricity with twice the efficiency of a photovoltaic cell, and the Office of Naval Research wanted to hear more.
Projected onto the wall was a PowerPoint collage summing up some highlights of Johnson’s career: risk assessment he’d done for the space shuttle Atlantis; work on the nuclear power source for NASA’sGalileo spacecraft; engineering help on the tests that led to the first flight of the B-2 stealth bomber; the development of an energy-dense ceramic battery; and the invention of a remarkable, game-changing weapon that had made him millions of dollars—a weapon that at least one of the men in the room, the father of two small children, recognized immediately as the Super Soaker squirt gun.
Mild-mannered and bespectacled, Johnson opened his presentation by describing the idea behind the JTEC. The device, he explained, would split hydrogen atoms into protons and electrons, and in so doing would convert heat into electricity. Most radically, it would do so without the help of any moving parts. Johnson planned to tell his audience that the JTEC could produce electricity so efficiently that it might make solar power competitive with coal, and perhaps at last fulfill the promise of renewable solar energy. But before he reached that part of his presentation, Richard Carlin, then the head of the Office of Naval Research’s mechanics and energy conversion division, rose from his chair and dismissed Johnson’s brainchild outright. The whole premise for the device relied on a concept that had proven impractical, Carlin claimed, citing a 1981 report co-written by his mentor, the highly regarded electrochemist Robert Osteryoung. Go read the Osteryoung report, Carlin said, and you will see.
End of meeting.
Concerned about what he might have missed in the literature, Johnson returned home and read the inch-thick report, concluding that it addressed an approach quite different from his own. Carlin, it seems, had rejected the concept before fully comprehending it. (When I reached Carlin by phone recently, he said he did not remember the meeting, but he is familiar with the JTEC concept and now thinks that the “principles are fine.”) Nor was Carlin alone at the time. Wherever Johnson pitched the JTEC, the reaction seemed to be the same: no engine could convert heat to electricity at such high efficiency rates without the use of moving parts.
Johnson believed otherwise. He felt that what had doomed his presentation to the Office of Naval Research—and others as well—was a collective failure of imagination. It didn’t help that he was best known as a toy inventor, nor that he was working outside the usual channels of the scientific establishment. Johnson was stuck in a Catch-22: to prove his idea would work, he needed a more robust prototype, one able to withstand the extreme heat of concentrated sunlight. But he couldn’t build such a prototype without research funding. What he needed was a new pitch. Instead of presenting the JTEC as an engine, he would frame it as a high-temperature hydrogen fuel cell, a device that produces electricity chemically rather than mechanically, by stripping hydrogen atoms of their electrons. The description was only partially apt: though both devices use similar components, fuel cells require a constant supply of hydrogen; the JTEC, by contrast, contains a fixed amount of hydrogen sealed in a chamber, and needs only heat to operate. Still, in the fuel-cell context, the device’s lack of moving parts would no longer be a conceptual stumbling block.
Indeed, Johnson had begun trying out this new pitch two months before his naval presentation, in a written proposal he submitted to the Air Force Research Laboratory’s peer-review panel. The reaction, when it came that May, couldn’t have been more different. “Funded just like that,” he told me, snapping his fingers, “because they understood fuel cells—the technology, the references, the literature. The others couldn’t get past this new engine concept.” The Air Force gave Johnson $100,000 for membrane research, and in August 2003 sent a program manager to Johnson’s Atlanta laboratory. “We make a presentation about the JTEC, and he says”—here Johnson, who is black, puts on a Bill-Cosby-doing-a-white-guy voice—“‘Wow, this is exciting!’” A year later, after Johnson had proved he could make a ceramic membrane capable of withstanding temperatures above 400 degrees Celsius, the Air Force gave him an additional $750,000 in funding.
The key to the JTEC is the second law of thermodynamics. Simply put, the law says that temperature differences tend to even out—for instance, when a hot mug of coffee disperses its heat into the cool air of a room. As the heat levels of the mug and the room come into balance, there is a transfer of energy.
Work can be extracted from that transfer. The most common way of doing this is with some form of heat engine. A steam engine, for example, converts heat into electricity by using steam to spin a turbine. Steam engines—powered predominantly by coal, but also by natural gas, nuclear materials, and other fuels—generate 90 percent of all U.S. electricity. But though they have been refined over the centuries, most are still clanking, hissing, exhaust-spewing machines that rely on moving parts, and so are relatively inefficient and prone to mechanical breakdown.
Johnson’s latest JTEC prototype, which looks like a desktop model for a next-generation moonshine still, features two fuel-cell-like stacks, or chambers, filled with hydrogen gas and connected by steel tubes with round pressure gauges. Where a steam engine uses the heat generated by burning coal to create steam pressure and move mechanical elements, the JTEC uses heat (from the sun, for instance) to expand hydrogen atoms in one stack. The expanding atoms, each made up of a proton and an electron, split apart, and the freed electrons travel through an external circuit as electric current, charging a battery or performing some other useful work. Meanwhile the positively charged protons, also known as ions, squeeze through a specially designed proton-exchange membrane (one of the JTECelements borrowed from fuel cells) and combine with the electrons on the other side, reconstituting the hydrogen, which is compressed and pumped back into the hot stack. As long as heat is supplied, the cycle continues indefinitely.
“Lonnie’s using temperature differences to create pressure gradients,” says Paul Werbos, an energy expert and program director of the National Science Foundation. “Only instead of using those pressure gradients to move an axle or a wheel, he’s forcing ions through a membrane.” Werbos, who spent months vetting the JTEC and eventually awarded Johnson’s team a $75,000 research grant in 2006, describes the JTEC as “a fundamentally new way, a fundamentally well-grounded way, to convert heat to electricity.” Regarding its potential to revolutionize energy production on a global scale, he says, “It has a darn good chance of being the best thing on Earth.”
JOHNSON IS A MEMBER of what seems to be a vanishing breed: the self-invented inventor. Born the third of six children in Mobile, Alabama, in 1949, he came into the world a black male in the Deep South during the days of lawful segregation. His father, David, who died in 1984, was a World War II veteran and a civilian driver for nearby Air Force bases. According to his mother, Arline, who is 86 and still lives in Mobile (in a house remodeled with Super Soaker profits), the family was poor but happy. All eight lived in a three-bedroom, one-bathroom house near Mobile Bay, in a neighborhood then being bisected by the construction of Interstate 10.
As a boy, Johnson was quiet and curious, and early on, he developed a fascination with how things worked. “Lonnie tore up his sister’s baby doll to see what made the eyes close,” his mother recalls. As he grew older, he began making things, including rockets powered by fuel cooked up in his mother’s saucepans. At 13, he bolted a discarded lawn-mower engine onto a homemade go-cart and took it atop the I-10 construction site—only to have a bemused policeman escort him back down. It was around then that Johnson learned that “engineers were the people who did the kind of things that I wanted to do.”
It was hardly an obvious career path: then, as now, the profession was dominated by whites. (As recently as 2004, only 1.6 percent of the engineering doctorates awarded in the United States went to blacks.) In high school, a standardized test from the Junior Engineering Technical Society informed Johnson that he had little aptitude for engineering; but he persevered and, as a senior, became the first student from his all-black high school ever to enter the society’s regional engineering fair. The fair was held at the University of Alabama at Tuscaloosa, just five years after then-Governor George Wallace had tried, in 1963, to physically block two black students from enrolling there. Johnson’s entry in the competition was a creation he called Linex: a compressed-air-powered robot assembled from electromagnetic switches he’d salvaged from an old jukebox, and solenoid valves he’d fashioned out of copper tubing and rubber stoppers. The finished product wowed the judges, who awarded him first prize: $250 and a plaque. Unsurprisingly, university officials didn’t trumpet the news that a black boy had won top honors. “The only thing anybody from the university said to us during the entire competition,” Johnson remembers, “was ‘Goodbye, and y’all drive safe, now.’”
Johnson went on to win math and Air Force ROTC scholarships to Tuskegee University, where he received a bachelor’s degree in mechanical engineering and a master’s in nuclear engineering. He joined the Air Force in 1975 and subsequently held jobs at the Air Force Weapons Laboratory, NASA’s Jet Propulsion Laboratory, and the Strategic Air Command—solid, respectable positions that made him a part of the scientific establishment. But at each stop, he felt that his creativity was stifled, and in 1987, at the age of 38, he could take it no longer. He would go into business for himself, he decided, focusing on his own projects, which included a thermodynamic heat pump, a centrifugal-force engine, and a pressure-action water gun. “All I needed was one to hit,” he says, “and I’d be fine.”
The idea for the water gun had come to him one weekend afternoon in 1982, while he was tinkering with an idea for an environmentally friendly heat pump that would use water instead of Freon. He’d built a prototype pump, attached some rubber tubing, and brought it into a bathroom. Aiming the nozzle at the tub, he turned it on, and produced a blast of water so powerful that the mere wind from the spray ruffled the curtains. This, he thought, would make a great water gun. It took Johnson seven uncertain and stressful years, but he acquired the patents and eventually found a company interested in manufacturing his Super Soaker: the Larami Corporation, which licensed the rights to the gun in a deal that would ultimately make Johnson rich.
Hoping to offer society something more significant than enhanced squirt-gun firepower, Johnson began plowing his Super Soaker profits into energy-related R&D. While continuing to work on mechanical devices such as his heat pump, he also studied battery technology. When what he taught himself about electrochemistry collided with his longtime obsession with the second law of thermodynamics, Johnson had his eureka moment: why not use temperature differences rather than a chemical reaction to force the flow of ions through a cell? The JTEC concept was born.
Today, Johnson and his family live in Atlanta’s upscale Ansley Park neighborhood. The business he launched more than two decades ago, Johnson Research and Development Company, now employs two dozen people, including designers, marketers, and research scientists. Once again, however, Johnson faces financial worries. “There was a time in my life,” he says, “when I was independently wealthy.” But that time has passed: Super Soaker profits have eroded thanks to a host of knockoffs, and now bring in only about a third of his company’s operating budget. For the rest, he relies on grants and commissions—and in the aftermath of the dot-com bust and the recent economic crisis, they’ve been drying up. He’s begun borrowing money to keep his research going—and he’s betting much of it, millions of dollars in all, on the JTEC.
IN THE WINTER of 2008, Johnson received a promising call from Karl Littau, a materials scientist with the Palo Alto Research Center (known as PARC), a subsidiary of Xerox. PARC, which gave the world the laser printer, Ethernet, and many other groundbreaking technologies, had expanded into alternative-energy research, and this had led Littau to the JTEC. Like Paul Werbos, Littau initially feared that the device sounded too good to be true, but he and several other PARC scientists set up elaborate three-dimensional computer models to analyze fluidics and heat-flow behavior in the JTECunder various conditions, and they came away from those experiments, he says, “really impressed.” Littau, like Werbos, is now a convert. The JTEC, he says, is “a very clever way to extract energy from a heat engine … It’s incredibly elegant.”
When I spoke to Littau, he ticked off the potential advantages of the JTEC over typical heat engines: no moving parts, which means the engine is more reliable and virtually silent; the safety of hydrogen, which is essentially benign (unlike, say, Freon); and the lack of waste produced (the JTEC gives off no carbon or—unlike a fuel cell—even water, which, although environmentally harmless, can corrode equipment). All of these advantages mean longer-lasting performance and potentially higher energy-conversion efficiencies.
Commercial photovoltaic solar cells convert approximately 20 percent of received solar energy into electricity. The best solar-energy systems today—thermal-power plants that concentrate the sun’s heat to drive turbines—operate at a rate of about 30 percent efficiency. The JTEC, Johnson claims, could double that figure, cutting the cost of producing solar power in half from its current average of 25 cents per kilowatt-hour, and making it competitive with coal.
“There’s a lot of debate in Washington about carbon emissions and energy,” Paul Werbos says—“about coal, nuclear power, and oil, what I call the three horsemen of the apocalypse. If we can cut the cost of solar energy in half, it becomes possible to escape from the three horsemen. The importance of this is just unbelievable.”
But having wowed PARC, Johnson is now wrestling once again with the difficulties of working within the confines of the scientific establishment. PARC wants to publish a paper about the JTEC in a peer-reviewed scientific journal, both to provide legitimacy and to encourage members of the scientific community to advance the technologies involved. But Johnson is unconvinced. “Peer review is fine,” he says, “as long as you’re making incremental improvements to a technology.” But Johnson dreams of advancing by leaps and bounds.
Adding to Johnson’s worries is tension with PARC over intellectual-property rights. Only recently did Johnson, with much reluctance, give PARC permission to file for patent protection for the problems solved in its lab. After more than two decades as his own boss, Johnson isn’t sure how much ownership interest—and potential profit—he is willing to give up. “All of a sudden, I have other people inventing stuff that I don’t have control over anymore,” Johnson says. “They could put patents in place for things I would need to implement in my engine. I’d have to pay them for my own idea!”
LAST YEAR, I VISITED the four-acre commercial property that Johnson owns on the south side of downtown Atlanta. Wearing pleated khakis and a long-sleeved polo shirt with a turtleneck underneath, Johnson took me on a tour of a meticulously refurbished three-story brick loft space featuring soaring ceilings and antique wood floors. Johnson intends to transform the building into a high-tech manufacturing center that will train and employ workers from the area; however, because of research delays and the recent economic downturn, those plans are on hold.
Until he can scale up, Johnson is instead leasing his beautiful loft space to a city agency, while he and his employees—including a handful of scientists with doctorates in chemistry, materials science, and engineering—hunker down in a low-slung, windowless warehouse across the parking lot. It’s a no-frills space, with galvanized electrical conduit descending from the ceiling through gaps where acoustic tiles are missing. On one wall of his office is a promotional poster created by the retail chain Target that features Johnson’s face amid a pantheon of 19th- and 20th-century African American inventors. Along another wall is a row of plaques commemorating a dozen of Johnson’s 100-odd patents, including those for his water-pressure heat pump, his ceramic battery, hair rollers that dry and set without heat, a diaper that plays a musical nursery-rhyme alarm when the baby is wet, and the electrochemical conversion system at the heart of the JTEC. And hanging crooked above his desk is a cheap black frame that contains an inspirational quote that has been attributed to Calvin Coolidge. Under the headingPRESS ON, it reads:
Nothing in the world can take the place of persistence. Talent will not; nothing is more common than unsuccessful men with talent. Genius will not; unrewarded genius is almost a proverb. Education alone will not; the world is full of educated derelicts. Persistence and determination alone are omnipotent.
After we toured the office cubicles, Johnson swiped a card to unlock a door, and we entered a cavernous laboratory abuzz with fluorescent fixtures and thrumming with high-tech equipment. We stepped across a sticky mat, meant to grab dust from our shoes, and followed a yellow-paint path across the warehouse floor, past shelves of chemicals, airtight glove boxes, and banks of machines bristling with wires, charging and discharging batteries. Technicians in long blue lab coats and protective goggles milled about. Some of the equipment stations were housed beneath plastic clean-room tents topped with large fans and aluminum ductwork that snaked off toward the ceiling. The lab looked like a disheveled, family-garage version of a computer-microchip factory, and the resemblance wasn’t coincidental: to develop his proton-exchange membrane and ceramic batteries, Johnson has borrowed processes developed by the semiconductor industry for depositing materials, often atom by atom, onto various substrates. Beaming as he showed me his latest acquisition—a pricey-looking X-ray photoelectron spectrometer that lets him analyze a material’s atomic makeup—Johnson was clearly in his element.
Monday, November 1, 2010
Kenya will be building worlds biggest wind farm
With surging demand for power and blackouts common across the continent, Africa is looking to solar, wind and geothermal technologies to meet its energy needs
One of the hottest places in the world is set to become the site of Africa's most ambitious venture in the battle against global warming.
About 365 giant wind turbines are to be installed in desert around Lake Turkana in northern Kenya -- used as a backdrop for the film The Constant Gardener -- creating the biggest windfarm on the continent. When complete in 2012, the $881-million project will have a capacity of 300MW, a quarter of Kenya's current installed power and one of the highest proportions of wind energy to be fed in a national grid anywhere in the world.
Until now, only North African countries such as Morocco and Egypt have harnessed wind power for commercial purposes on any real scale on the continent. But projects are now beginning to bloom south of the Sahara as governments realise that harnessing the vast wind potential can efficiently meet a surging demand for electricity and ending blackouts.
Already Ethiopia has commissioned a $314-million, 120MW farm in Tigray region, representing 15% of the current electricity capacity, and intends to build several more. Tanzania has announced plans to generate at least 100MW of power from two projects in the central Singida region, more than 10% of the country's current supply. In March, South Africa, whose heavy reliance on coal makes its electricity the second most greenhouse-gas intensive in the world, became the first African country to announce a feed-in tariff for wind power, whereby customers generating electricity receive a cash payment for selling that power to the grid.
Kenya is trying to lead the way. Besides the Turkana project, which is being backed by the African Development Bank, private investors have proposed establishing a second windfarm near Naivasha, the well-known tourist town. And in the Ngong hills near Nairobi, the Maasai herders and elite long-distance athletes used to braving the frigid winds along the escarpment already have towering company: six 50m turbines from the Danish company Vestas that were erected last month and will add 5,1MW to the national grid from August. Another dozen turbines will be added at the site in the next few years.
Christopher Maende, an engineer from the state power company KenGen, which is running the Ngong farm and testing 14 other wind sites across the country, said local residents and herders were initially worried that noise from the turbines would scare the animals.
"Now they are coming to admire the beauty of these machines," he said.
Kenya's electricity is already very green by global standards. Nearly three-quarters of KenGen's installed capacity comes from hydropower, and a further 11% from geothermal plants, which tap into the hot rocks a mile beneath the Rift Valley to release steam to power turbines.
Currently fewer than one-in-five Kenyans has access to electricity but demand is rising quickly, particularly in rural areas and from businesses. At the same time, increasingly erratic rainfall patterns and the destruction of key water catchment areas have affected hydroelectricity output. Low water levels caused the country's largest hydropower dam to be shut down last month.
As a short-term measure KenGen is relying on imported fossil fuels, such as coal and diesel. But within five years the government wants to drastically reduce the reliance on hydro by adding 500MW of geothermal power and 800MW of wind energy to the grid.
Not only are they far greener options than coal or diesel, but the country's favourable geology and meteorology make them cheaper alternatives over time. The possibility of selling carbon credits to companies in the industrialised world is an added financial advantage.
"Kenya's natural fuel should come from the wind, hot underground rock and the sun, whose potential has barely even been considered," said Nick Nuttall, spokesperson for the United Nations Environment Programme. "After the initial capital costs this energy is free."
The Dutch consortium behind the Lake Turkana Wind Power (LTWP) project has leased 66 000 hectares of land on the eastern edge of the world's largest permanent desert lake. The volcanic soil is scoured by hot winds that blow consistently year round through the channel between the Kenyan and Ethiopian highlands.
According to LTWP, which has an agreement to sell its electricity to the Kenya Power & Lighting Company, the average wind speed is 11m per second, akin to "proven reserves" in the oil sector, said Carlo Van Wageningen, chairperson of the company.
"We believe that this site is one of the best in the world for wind," he said.
If the project succeeds, the company estimates that there is the potential for the farm to generate a further 2 700MW of power, some of which could be exported.
First, however, there are huge logistical obstacles to overcome. The remote site of Loiyangalani is nearly 480km north of Nairobi. Transporting the turbines will require several thousand truck journeys, as well as the improvement of bridges and roads along the way. Security is also an issue as the region is known bandit country, and many locals are armed with AK-47 assault rifles.
LTWP also has to construct a 425km transmission line and several substations to connect the windfarm to the national grid. It has promised to provide electricity to the closest local towns, currently powered by generators.
The greening of Africa
At the end of 2008, Africa's installed wind power capacity was only 593MW. But that is set to change fast. Egypt has declared plans to have 7 200MW of wind electricity by 2020, meeting 12% of the country's energy needs. Morocco has a 15% target over the same period. South Africa and Kenya have not announced such long-term goals, but with power shortages and wind potential of up to 60 000MW and 30 000MW respectively, local projects are expected to boom. With the carbon credit market proving strong incentives for investment other types of renewable energy are also set to take off. Kenya is planning to quickly expanding its geothermal capacity, and neighbouring Rift Valley countries up to Djibouti are examining their own potential. As technology improves and costs fall, solar will also enter the mix. Germany has already publicised plans to develop a €400-billion solar park in the Sahara.
"Ultimately for Africa solar is the answer, although [costs mean] we may still be decades away," said Herman Oelsner, president of the African Wind Energy Association. - guardian.co.uk © Guardian News and Media 2009
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